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Bethel Woods Triptychs: The Music Before, During & After Woodstock

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    Museum at Bethel Woods

    Bethel Woods Triptychs: The Music Before, During & After Woodstock

    Project Group

    Museum at Bethel Woods

    Client

    Museum at Bethel Woods

    Date

    May 2008

    Location

    Museum at Bethel Woods, Bethel, NY

    Exhibition Design

    Gallagher & Associates

    More Images

    Demo Video

    Tags

    Storytelling, Touch, Installations

    Playlists

    • Narrative storytelling
    • Interactive installations
    • Timelines & maps
    • Visitor generated content

    A three-part suite of installations paint the soundscapes of music that preceded, defined, and descended from the Woodstock Festival.

    A free-flowing model of interactivity puts the music up front in this triptych of interactive music stations. One station introduces the music of the 1960s to illuminate the musical backdrop leading up to 1969; another showcases the songs and bands of 1969, including the complete performance schedule of Woodstock; and the third allows visitors to explore the musical landscape regarded as the legacy of the festival and its cultural impact. The unusual, undulating interface lets people rapidly browse genres, themes, and years to scan the sounds of the Sixties and beyond, or follow narrated tour tracks through highlights in each period. Backend database tools allow the center’s staff to add visitor-suggested songs and other content to these interactives.

    Press & Awards

    Themed Entertainment Association Thea Awards, Museum, 2009
    Print Magazine, Creativity & Commerce, Honorable Mention 2009
    “Museum Opens at Woodstock Concert Site,” Associated Press, Michael Hill, June 2, 2008

    But this is a 21st century museum dominated by sounds and moving images. It’s hard to find a spot where you can’t overhear a crowd chant or a guitar solo pumping from one exhibit or another. There are five interactive exhibits and 20 films playing here, from kiosk shorts to the 50-foot high, wraparound movie that provides a you-are-there version of the concert.

    “Woodstock with Breathing Space,” Sydney Morning Herald, Ian Munro, May 30, 2008

    Much of the exhibition is interactive. Visitors can lose themselves in front of touch-screens that replay songs from the era. It is possible to hear music’s evolution year by year, from 1960 to 1968, with hits from folk and country, pop, rock and rhythm and blues. The pivotal year, 1969, is afforded its own musical encyclopedia so visitors can experience the palette from which Woodstock’s creators worked.

    “Taking in the Woodstock Museum,” Time Magazine, Richard Lacayo, May 29, 2008

    And the museum itself? It’s entertaining and briskly informative...if you visit the museum, which I recommend, here’s what I would do: play with the interactive screens, admire the replica hippie bus, watch the film clips of Jimi Hendrix and Joan Baez and the Who.

    Credits

    Designer
    Martin Linde
    Technology Director
    Thomas Wester
    Developers
    Zach Archer, John Hutchison, Jeremy Brown
    Producer
    Dave Stawinski
    Production Assistants
    Shane Farrell, Melinda Swenson
    Quality Assurance
    Erica Dillon
    Writer
    Ben Fong Torres
    Sound Design
    Audio Wells
    Narrator
    Dennis Elsas
    Research
    History Associates, Diamond Time
    A/V Integration
    McCann Systems
    Exhibit Design
    Gallagher & Associates
    © 2013 Second Story, Inc.

    Project Group

    • Project Overview
    • Bethel Woods Triptychs: The Music Before, During & After Woodstock
    • Map of the Woodstock Festival
    • Sixties Souvenir Poster Maker
    • Where Were You Then?